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Press

"Soprano Adrienne Sereta has a beautiful voice, which seemed woefully under-used in the relatively small role of Servilia."  

Servilia, La Clemenza di Tito - ClevelandClassical.com



"The soprano solos were (for pedagogical reasons, I presume) divided amongst four student singers (Meryl Doeminguez, Summer Hassan, Sydney Mancasola, and Adrienne Sereta), each of whom brought a distinctive and memorable timbre to their selections."

Soprano solo, Carmina Burana - ClevelandClassical.com



"Adrienne Sereta made a sprightly Esmerelda, the circus dancer who seduces Vaseck (sincerely, or not?- in this staging it was hard to tell)."

Esmerelda, The Bartered Bride - ClevelandClassical.com

"Adrienne Sereta, dolled up (literally) in frilly dress and curly wig, was a delectably clueless and feisty Cunegonde with a coloratura soprano of wondrous precision and tonal focus.  She made a sumptuous meal of "Glitter and be Gay." 

Cunegonde, Candide - ClevelandClassical.com



"As his love interest, Cunegonde, Adrienne Sereta had a fine soprano voice and a natural sense of physical comedy.  In her coloratura show-stopper "Glitter and be Gay," Ms. Sereta conveyed her point through vocal gymnastics and stage antics..."

Cunegonde, Candide - ClevelandClassical.com



"Adrienne Sereta was spot on with her Queen of the Night high F's."

Queen of the Night, The Magic Flute - ClevelandClassical.com





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